Shedules
Direction musicale Michele SPOTTI Soprano Csilla BOROSS Soprano Patrizia CIOFI Mezzo soprano Karine DESHAYES Ténor Enea SCALA Baryton Juan Jésus RODRÍGUEZ Baryton Marc BARRARD Basse Nicolas COURJAL Chœur et Orchestre philharmonique de Marseille
Smetana’s Dalibor is much more than just a romantic tragedy with beautiful music based on the medieval tale of the Knight Dalibor of Kozojedy, who learned to play the violin in prison, which was first heard on the occasion of the laying of the foundation stone of the National Theatre. This drama about the desire for revenge, amorous passion and political intrigue is an extraordinary work to which it is not easy to find the key. British director David Pountney is one of the great admirers and promoters of Czech opera.
FEATURING Tosca - Csilla Boross, Cavaradossi - Attila Fekete, Scarpia - Levente Molnár, Sekrestyés - András Hábetler, Angelotti - Marcell Bakonyi, Spoletta - Sándor Böjte CONDUCTOR Gergely Kesselyák
Featuring Csilla Boross, soprano Pittsburgh Festival Opera welcomes some of the world’s most powerhouse voices for intimate concerts that bring opera to life for audiences right here in Pittsburgh.
Smetana’s Dalibor is much more than just a romantic tragedy with beautiful music based on the medieval tale of the Knight Dalibor of Kozojedy, who learned to play the violin in prison, which was first heard on the occasion of the laying of the foundation stone of the National Theatre. This drama about the desire for revenge, amorous passion and political intrigue is an extraordinary work to which it is not easy to find the key. British director David Pountney is one of the great admirers and promoters of Czech opera.
Conductor: Riccardo Frizza
Smetana’s Dalibor is much more than just a romantic tragedy with beautiful music based on the medieval tale of the Knight Dalibor of Kozojedy, who learned to play the violin in prison, which was first heard on the occasion of the laying of the foundation stone of the National Theatre. This drama about the desire for revenge, amorous passion and political intrigue is an extraordinary work to which it is not easy to find the key. British director David Pountney is one of the great admirers and promoters of Czech opera.
Smetana’s Dalibor is much more than just a romantic tragedy with beautiful music based on the medieval tale of the Knight Dalibor of Kozojedy, who learned to play the violin in prison, which was first heard on the occasion of the laying of the foundation stone of the National Theatre. This drama about the desire for revenge, amorous passion and political intrigue is an extraordinary work to which it is not easy to find the key. British director David Pountney is one of the great admirers and promoters of Czech opera.
Smetana’s Dalibor is much more than just a romantic tragedy with beautiful music based on the medieval tale of the Knight Dalibor of Kozojedy, who learned to play the violin in prison, which was first heard on the occasion of the laying of the foundation stone of the National Theatre. This drama about the desire for revenge, amorous passion and political intrigue is an extraordinary work to which it is not easy to find the key. British director David Pountney is one of the great admirers and promoters of Czech opera.
Smetana’s Dalibor is much more than just a romantic tragedy with beautiful music based on the medieval tale of the Knight Dalibor of Kozojedy, who learned to play the violin in prison, which was first heard on the occasion of the laying of the foundation stone of the National Theatre. This drama about the desire for revenge, amorous passion and political intrigue is an extraordinary work to which it is not easy to find the key. British director David Pountney is one of the great admirers and promoters of Czech opera.
Smetana’s Dalibor is much more than just a romantic tragedy with beautiful music based on the medieval tale of the Knight Dalibor of Kozojedy, who learned to play the violin in prison, which was first heard on the occasion of the laying of the foundation stone of the National Theatre. This drama about the desire for revenge, amorous passion and political intrigue is an extraordinary work to which it is not easy to find the key. British director David Pountney is one of the great admirers and promoters of Czech opera.
Direction musicale Paolo ARRIVABENI Attila Ildebrando D’ARCANGELO Ezio Juan Jesús RODRÍGUEZ Foresto Antonio POLI
Direction musicale Paolo ARRIVABENI Attila Ildebrando D’ARCANGELO Ezio Juan Jesús RODRÍGUEZ Foresto Antonio POLI
Direction musicale Paolo ARRIVABENI Attila Ildebrando D’ARCANGELO Ezio Juan Jesús RODRÍGUEZ Foresto Antonio POLI
Műsor: R. Wagner: Tannhäuser - nyitány, WWV 70 R. Wagner: Wesendonck dalok, WWV 91 A. Bruckner: I. (c-moll) szimfónia, WAB 101 (1890/91-es bécsi változat) Vezényel: Rajna Martin Közreműködik: Boross Csilla - szoprán
Győri Filharmonikus Zenekar Műsor: R. Wagner: Tannhäuser - nyitány, WWV 70 R. Wagner: Wesendonck dalok, WWV 91 A. Bruckner: I. (c-moll) szimfónia, WAB 101 (1890/91-es bécsi változat) Vezényel: Rajna Martin Közreműködik: Boross Csilla - szoprán
km.: Dénes István – zongora
Zempléni fesztivál Boross Csilla – szoprán Kálmándy Mihály – bariton km.: Dénes István – zongora